Siddhant Adlakha from Mashable - Journalist Profile

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1	Siddhant Adlakha Mashable Filmmaker. Actor. TV Writer. Critic. New York via Mumbai filmactingtelevisioncriticism		'Juror #2' review: Clint Eastwood's masterful Hollywood throwback - 17 days ago 'Bird' review: Andrea Arnold's coming-of-age fable comes up slightly short - 30 days ago 'Hard Truths' review: Mike Leigh explores deep-seated anguish through darkly funny realism - about 1 month ago 'Oh, Canada' review: Paul Schrader's latest is his most personal work - about 1 month ago 'Nickel Boys' review: A masterful work of friendship, violence, and memory - about 1 month ago Should you sign up for Hulu? Our film critics weigh in. - 3 months ago 'Trap' review: A wildly entertaining father-daughter thriller - 4 months ago 'Longlegs' review: Nicolas Cage may be brilliant, but this horror-thriller is bizarre in the wrong way - 4 months ago 'In A Violent Nature' has the year's most intense ending. Here's what it means. - 5 months ago 'Daddio' review: A blasé drama set during the worst cab ride of your life - 5 months ago 'The People's Joker review: A self-reflexive trans parody takes aim at the modern superhero - 8 months ago 'Sing Sing' review: Colman Domingo delivers in prison-set friendship drama - 8 months ago 'A Nice Indian Boy' review: East-meets-West with a twist in an instant rom-com classic - 8 months ago 'The Idea of You' review: Anne Hathaway dazzles in rom-com inspired by Harry Styles fandom - 8 months ago 'The American Society of Magical Negroes' review: A satirical near-miss - 8 months ago ‘Grand Theft Hamlet’ review: 'Grand Theft Auto' meets Shakespeare in hilarious, moving doc - 8 months ago 'A Different Man' review: Sebastian Stan leads a stunning, self-reflexive drama on representation - 9 months ago 'Cuckoo' review: Hunter Schafer soars in kooky body horror gem - 9 months ago 'Bob Marley: One Love' review: A bog-standard biopic that avoids complications - 9 months ago 'I Saw the TV Glow' review: Queer horror has a new arthouse masterpiece - 10 months ago 'The Book of Clarence' review: The year’s first great comedy is a Biblical epic - 10 months ago 'The Iron Claw': What’s in it for wrestling fans? - 11 months ago 'The Boys in the Boat' review: George Clooney's WWII sports drama aims high, lands low - 11 months ago ‘All of Us Strangers’ review: Andrew Scott and Paul Mescal lead the hottest, saddest movie this year. - 11 months ago 'Aquaman and the Lost Kingdom' review: The death knell the DCEU deserves - 11 months ago 'American Fiction' review: A great setup with no punchline - 11 months ago 'The Iron Claw' review: A24's pro-wrestling biopic is gorgeous and evocative, but ultimately pulls its punches - 11 months ago 'Shayda' review: A personal and poetic debut about mothers and daughters - 12 months ago 'Fallen Leaves' review: Finding love in a hopeless place - about 1 year ago 'Thanksgiving' review: A gore snore - about 1 year ago 'Rustin' review: An awful film with a tremendous lead performance - about 1 year ago 'Nyad' review: An exciting drama buoyed by Annette Bening and Jodie Foster - about 1 year ago 'Sly' review: A Stallone documentary that plays like a 'Rocky' sequel - about 1 year ago Let's talk about 'Killers of the Flower Moon's ending - about 1 year ago 'Do Not Expect Too Much From the End of the World' review: The absurdity of modern images - about 1 year ago 'The Taste of Things' review: The year's most sensuous romance - about 1 year ago 'Cat Person' Review: A shoddy adaptation of a great short story - about 1 year ago 'Strange Way of Life' review: Almodóvar reflects on 'Brokeback Mountain' with his queer Western - about 1 year ago 'The Royal Hotel' review: An intense feminist road trip that takes one wrong turn - about 1 year ago 'Dear Jassi' review: A real-life 'Romeo and Juliet' and one of the most affecting films of the year - about 1 year ago 'Dumb Money' tries and fails to be 'The Social Network' - about 1 year ago ‘One Life’ review: Anthony Hopkins gives another emotionally wrecking performance - about 1 year ago